graphics process blog // chelsea college of art & design

+ please report dead links to d.barnett@chelsea.arts.ac.uk

Welcome

This is the old support site which has now moved to graphicsprocess.co.uk


Production and Camera Related

If you haven't got one already download this free guide to dslr cinematography - it covers many issues that are vital to getting control of your image and workflow and its free! Ideal for saving on your iphone, pad of choice/laptop etc for when you need it.


Chapter 01 Introduction 06 
Chapter 02 Basic Cinematography Concepts 10 
Chapter 03 Choosing A DSLR 22 
Chapter 04 Saving Money 30 
Chapter 05 Stuck Pixels 33 
Chapter 06 Aliasing And Moiré 35 
Chapter 07 Rolling Shutter 37 
Chapter 08 Overheating 39 
Chapter 09 Lenses: Using Primes, Choosing A Brand 41 
Chapter 10 Lenses: Adapting, Purchasing 48 
Chapter 11 Lenses: Focal Lengths, Depth Of Field 53 
Chapter 12 Lenses: Renting, Converting 58 
Chapter 13 Storage (For The Shoot) 62 
Chapter 14 Support System 
Chapter 15 Power 
Chapter 16 Audio 71 
Chapter 17 Magic Lantern Firmware 76 
Chapter 18 GH1 Firmware 79 
Chapter 19 Matte Box 81 
Chapter 20 Filtration, Variable ND 83 
Chapter 21 LCD Viewfinder 87 
Chapter 22 Field Monitor 91 
Chapter 23 Picture Style Editor 94 
Chapter 24 Post-Production Overview 97 
Chapter 25 Storage (For The Edit) 98 
Chapter 26 Transferring, Viewing, Transcoding 101 
Chapter 27 Audio Sync, Drift 104 
Chapter 28 Noise Reduction 106 
Chapter 29 Color Grading 109 
Chapter 30 Thanks For Reading 



Cameras.. 

As we have some 550d's..

Canon D550 feature set


Streamclip for converting 550d files

best setting for streamclip for final cut (422)

vimeo d550d zone




how to update your 550d firmware to the Magic Lantern system and what it does..





remember.. Shallow Depth of Field cannot conceal shallow depth of narrative !!!!

using a digital slr camera? - (updated) checkout this blog


black magic cinema camera for less than £2400..




get a lot of questions about slo mo so heres a guide..

So there's a few ways.. 


1. on sony camcorder use the smooth slow function which is 22fps but often doesn't look that clean.

2. using a regular dslr shoot at 50 frames per sec (720p only) and conform the footage so it plays back at 25fps and twice as slow - good option see below..

3. use a plugin like twixtor to invent new frames 

5. spend a lot of money on hiring a high frame reate camera like a Phantom Flex or go and make friends wth the slo mo guys..

6. grab a go pro hero with its slo mo 720p function (720p60fps or 720p120) depending on model 


7. use final cut pro x's new optical flow feature..






using the twixtor plugin for slowmotion..




'conforming' footage in cinema tools.. 
(shooting in 50 or 60 frames per second and playing back at 25 or 30 to slow down the footage in final cut pro) this at least gets you half speed footage which can then be twixtored etc.



Conforming footage in after effects... (ignore the 60p - in the uk we use 50p down to 25p)




The art of wire removal
http://www.fxguide.com/featured/the_art_of_wire_removal/

greenscreen/bluscreen guide to best results
http://generalspecialist.com/greenscreen-and-bluescreen-checklist/


New cs6 much better keying and 3d matchmove tutorial..




 

projection edge blending – very nerdy!
http://ozviz.wasp.uwa.edu.au/~pbourke/texture_colour/edgeblend/

sound engineering tips
http://emusictips.com/sound-mixing-10-essential-tips/

arduino board: controlling electronics and sensors from your mac
http://www.arduino.cc/en/Guide/MacOSX

buy..
http://arduino.cc/en/Main/Buy

coding language for interactive digital arts
http://processing.org/

fxphd hd video podcasts for visual effects artists to keep up on the latest ideas
http://fxguide.com/fxguidetv.html

interlacing and video fields explained (movie)
http://movielibrary.lynda.com/html/player/?id=%7B2B5B7A3B-B61D-4E4E-A39A-6A6BE17A627C%7D&tc=0&height=676&width=880

hi res stock film footage
http://www.artbeats.com/
http://www.artbeatsdigitalfilmlibrary.com/clips/15482/23513

compositing using stock footage demo
http://www.artbeats.com/creative_samples/1

hack space london
http://london.hackspace.org.uk/

sound work website for audio pro's
http://soundworkscollection.com/

make your own camera dolly
http://gizmodo.com/5448749/30-camera-dolly-is-the-quickest-most-useful-ikea-hack-ive-seen-in-a-while

apple pro tips website
http://www.apple.com/pro/tips/

bloody omaha (how 3 graphic designers recreated the normandy landings for bbc timewatch)
http://uk.youtube.com/watch?v=WRS9cpOMYv0

tutorials about audio mixing
http://audio.tutsplus.com/articles/general/top-10-2009-tutorials-about-mixing-and-mastering/





here's a few links regarding apple's colour..

overview

using secondary correction

and here's a website where you can download lots of pre-done colour grades - If you use colour then this is a must.. 





(from our documentary and editing sessions)

BBCfour doc on editing

THE CUTTING EDGE: the magic of movie editing (pt1)

THE CUTTING EDGE: the magic of movie editing (pt2)

The Cutting Edge: The Magic of Movie Editing Part 3

(these may be abridged as the original is 90mins)



long but good film grammar web-page with reference to final cut and all the most important rules.
http://www.kenstone.net/fcp_homepage/language_of_film.html

mass observation wiki link

mini doc based on the archive

the archive today




John Grierson wiki link

http://www.griersontrust.org/


Nightmail (GPO film unit)

humphrey jennings documentary 'the man who listened to britain' in parts

1

2

3

4

5

6

Humphrey Jennings wiki link

Listen To Britain
The Man with the Movie Camera, 1929, by Dziga Vertov (extract)
also here

ken burns on story (also check out his manipulation of stills here its a little more interesting than the segment actually)




Final Cut Pro X Tutorials (via Izzy Video)

  1. Getting Started
  2. Overview of the Interface
  3. Keywords and Ratings
  4. Different Kinds of Edits
  5. Overwrite Editing
  6. Using Markers
  7. Clip Appearance
  8. Tools
  9. The Precision Editor
  10. Transitions
  11. Transition Details
  12. Titles
  13. Transforming
  14. Built-In Video Effects
  15. Clip Effects
  16. Generators
  17. Compound Clips
  18. Storylines
  19. Auditions
  20. Retiming Clips for slow motion and fast motion
  21. Clip analysis for stabilization and color balance
  22. Color Correction, Video Scopes, Color Boards, and Color Match
  23. Importing from a Video Camera
  24. Sharing and exporting your video project
  25. Managing Your Media and Projects
  26. Conclusion


how to make final cut pro x work more like fcp 7  (here)

need to take projects between fcp7 to fcpx and premiere? CAT DV9 will do this.. theres a free trial but the software costs over £300!  here

more on final cut pro x..

Auto sync - yes its possible to sync clips where audio has been shot on a camera and it needs to be joined to audio which has been shot with a mic with better sound quality here's how..  http://www.youtube.com/watch?v=iosCgBS3gac

Adding black gaps or allowing other clips to show through gaps (intercutting).
As there is a magnetic timeline you have to add black gap clips in the timeline to move things or to make it act like final cut pro 7 you can use the position tool which is under the blue arrow menu just above the timeline which allows you to drag clips around in black space.

Changing audio levels and fading in and out..
Firstly you can set the levels on the timeline..

or you can drag up an down the main level of the whole clip with cursor over the clip where a little icon pops up to do so. If you need to add keyframes so you can drag up and down audio levels through the clip its here...


also there is a loudness option which can be added to audio but the hum removal and background noise removal are very limited for most use but heres a guide..

Break apart video clips so the audio can be deleted..
or right click on a clip and select break apart clip.

changing the clips colouring and balancing and lightening/darkening etc..

to auto balance clips read this..


Importing files that wont open in fcpx
So you can transcode files in compresser or mpeg streamclip but sometimes the clips just work in imovie and not the new final cut. In this case trim all your clips roughly down in an imovie project and in final cut you can open the imovie file and turn it into a final cut document. You can also do this by exporting the timeline as an xml file from imovie and importing that into final cut.

editing clips in final cut pro x (very good)

Keep up with the rendering and clip analysis
In the middle of the screen is a round circle which where all the audio levels can be seen and fcpx shows how its getting on with rendering things if you click on this circle it will open a list of what its doing. 




Final Cut Pro 7


Apples own basic training tutorials for final cut express
 http://www.apple.com/finalcutexpress/tutorials/

Ripple training offers a lot of free movies showing how to use final studio software including compressor, colour, motion etc
http://www.rippletraining.com/provideoapps.html

Apples help online help library covering all their pro apps
http://documentation.apple.com/

final cut training links
http://kenstone.net/fcp_homepage/fcp_homepage_index.html#fcp

apples final cut video tutorials
http://www.apple.com/finalcutstudio/tutorials/

final cut/video tutorials
http://www.geniusdv.com/weblog/archives/final_cut_pro_and_avid_tutorials.php

and even more (older this time) if you have fcp5
http://www.computer-training-software.com/final-cut-pro5.htm

using pro-res
http://wpc.107c.edgecastcdn.net/00107C/ripple/fcp_prores_final.mov

output to bluray
http://wpc.107c.edgecastcdn.net/00107C/ripple/fcp_output_to_bluray_final.mov

twixtor ultra slow motion plugin for ae and fcp link to demo
http://www.revisionfx.com/products/twixtor/

final cut keystrokes
http://www.hdvisionstudio.com/blog/2007/09/05/fcp-tips-final-cut-pro-keyboard-shortcuts/

final cut creative cow video tutorials via itunes
http://cowcast.creativecow.net/final_cut_pro/index.html


also dvdstudio..

dvdstudio pro user manual
http://documentation.apple.com/en/dvdstudiopro/usermanual/

dvd studio youtube guides to the basics (press the hq button to see the movies better)
http://www.youtube.com/watch?v=3BudYuQlQ0Y
http://www.youtube.com/watch?v=K_iXAAcG-r4&feature=related




202 final cut pro 7 tutorials here 


and below...

Apple.com

It should go without saying Apple.com should be your first stop when wanting to learn about Final Cut Pro. They have video tutorials coving all aspects of Final Cut Studio, we have included the links specific to the FCP tutorials below. Other pages of interest are: Downloads, Third-Party Plug-ins, AppleCare Support, Final Cut Support Page and Final Cut Discussions. If you intrested in more advance training you should take a look at their Apple Pro Training.
Videos
Overview of the Interface
Importing Footage
Editing
Compositing
Filters
Export
White Papers (PDF)
Native HDV Editing with Final Cut Pro 5 FAQ
Uncompressed SD Editing Using Final Cut Pro
Final Cut Pro and XDCAM HD

Video Tutorials

As I’m sure you know the amount of FCP videos on YouTube seems to be endless. Below we have highlighted a few of the highest rated, most relevant videos and channels. We have also included some of our favorites from Vemio.
YouTube
emeek77
$1 Geenscreen and a Keying secret
Changing the Colors of an Object
Multicam Essential Editing
Film Look
Getting Started
Teleportation effect
Panning Background
Making a moving filmstrip
Sync menu explained
MultiCam editing basic’s
Making a cheap Giant with mask’s
Make clips run backward
Playing with speed
Sending clips from FCP to Motion
The BIG diff between FCE and FCP
Sprocket Holes?
Using Final Cut Pro Audio Filters
Extracting and replacing Color
Using an Asymmetrical Edit
Making a Reflection
2 of the same Filters!!!! WHY???
C.O.P.S Face Blur Effect
Picture in Picture with a 3D Filter
Transitions and how they work
Final Cut Pro Title Sequence
Chroma Keying
Clip Speed
Getting Started
Travel Matte
Keyframing Text
Advanced Render (making it fast)
3 point editing
One Minute Tip – #1
One Minute Tip – #2
FREE Plugins and Garbage Mattes
Time Remapping secrets and workflow
MacVideoHelpline
Final Cut Pro: Layering Video
Final Cut Pro: Effects & Pasting Attributes
Final Cut Pro: The Cloning Effect
FCP Lesson 1: The Interface (Part 1)
FCP Lesson 1: The Interface (Part 2)
Altering Clip Speeds in Final Cut Pro
Nesting Sequences in Final Cut Pro
Working with Bluescreen: Part 1
Working with Bluescreen: Part 2
Final Cut Pro: Calling the Yak
callaway1515
Final Cut Pro 6 Tutorial: Teleport Effect
Final Cut Pro Tutorial: Basic Motion and Keyframes
Final Cut Pro 6 Tutorial: Basketball Movie Tricks
Final Cut Pro 6 Tutorial: Freeze Frames
Final Cut Pro 6 Tutorial: The Basics Part 1
FCP Tutorial: Reflection
provideoschool
Final Cut Pro Tutorial – Creating the Apple reflection look
Final Cut Pro tutorial – The “bleach bypass” film look
pro2go95
Final Cut Pro – Export
Final Cut Pro – Compositing
Final Cut Pro – Importing Footage
Final Cut Pro – Overview of the Interface
Final Cut Pro – Editing
Final Cut Pro – Filters
PixelHeadsNetwork
How To Work With the Patch Bay in Final Cut Pro
How To Create Motion Master Templates in Final Cut Pro
How To Use Keyboard Shortcuts in Final Cut Pro #2
How To Use Keyboard Shortcuts in Final Cut Pro #3
How To Color Correct in Final Cut Pro
How To Find Audio Peaks in Final Cut Pro
How To Create a Freeze Frame in Final Cut Pro
How To Search For and Apply Filters in Final Cut Pro
How To Rename Files and Clips in Final Cut Pro
How To Preview Unrendered Clips in Final Cut Pro
How To Apply Filters To Partial Clips in Final Cut Pro
How To Perform a Replace Edit in Final Cut Pro
How To Use the Updates Of Final Cut Pro Version 6.0.2 #1
How To Use the Updates Of Final Cut Pro Version 6.0.2 #2
How To Use the Updates Of Final Cut Pro Version 6.0.2 #3
How To Use the Updates Of Final Cut Pro Version 6.0.2 #4
How To Use the Button Bars in Final Cut Pro
How To Search For Unused Assets in Final Cut Pro
How To Create a Timeline Static Region in Final Cut Pro
shirtlessapprentice
Keying in Final Cut Pro
Matching Color Hue in Final Cut Pro
Color Correcting White Balance in Final Cut Pro
Editing in a Multicam Sequence
Vimeo
Final Cut slow motion at various speeds
Final Cut Pro Tutorial: Plesantville Effect
Final Cut Studio slow motion demo
Final Cut Pro Tips – Bleach Bypass look in Final Cut Pro 6
Smoothcam effect with Final Cut Pro
SmoothCam demo – Smoothing lateral moves
Final Cut Pro Does This Sometimes
How To Blur Out Images In Final Cut Pro So You Won’t Get Sued!
Final Cut Pro Tutorial: How To Bleep Out Words
Keyboard Shortcuts A to Z
Import Video into from AVCHD cameras.
Creative Cow
David Battistella
EDIT TO TAPE – A STEP BY STEP GUIDE
Recapturing HDV, Can it be done?
Walter Biscardi
Preparing Your Sequences to Go From FCP to Color
Maximum FCP Efficiency with Tabs
Walter Biscardis Secrets for Real-time Sequences
Travel Mattes in FCP: Part One, The Basics
Travel Mattes in FCP: Part Two, Adding Animation and Drop Shadows
Travel Mattes in FCP: Part Three, Enhance Your Interviews
Field Editing & Production Using Final Cut Pro
Roger Bolton
Vee You: 8 Free Mac Plug-ins for FCP, AE and Motion
Fast Flowing Montages for FCP & Motion
Cowdog
Using Automator for repetitive tasks in Final Cut Pro
Philip Hodgetts
How2 Upgrade to Final Cut Pro 4 — the Right Way!
Technique – How2 Canvas & Viewer with Waveform & Vectorscope
Dustin Lau
Become replaceable. Have a life with better FCP project management
Better Media Management in Final Cut Pro
Get Fast in Final Cut Pro — FAST!
Steve Miller
Jittery Film Effects in Final Cut Pro
Chris Poisson
Travel Mattes in FCP: Faster than AE
Really? Capture HDV to ProRes in FCP? Over FireWire?! Yes!
Shane Ross
The Ultimate Real-world FCP FAQ, part 1
The Ultimate Real-world FCP FAQ, part 2
The Ultimate Real-world FCP FAQ, part 3
Build Unique Transitions with Filters in Final Cut Pro
P2 Import in Final Cut Pro 6
DVCPRO Frame Rate Converter
Movement on Stills
Importing P2 into FCP
Stephen Smith
Creating a Hologram
Stephens Five FCP Time Saving Tips
Compressor Custom Settings: A Creative COW Final Cut Studio Video Tutorial
As a Page Turns: A Creative COW Final Cut Studio Video Tutorial
Bad TV Look: Final Cut Pro Tutorial
CSI: COW
Creating That Old Film Look with Final Cut Studio 2
Bad TV Effect for Final Cut Pro
Creating That Old Film Look For Final Cut Pro
Marco Solorio
Capture Cards and Codecs
Tim Wilson
Apple’s ProRes 422
Part 2: ProRes for HDV, with a splash of Color
Boris Yamnitsky
FCP Titling with Boris: Old-fashioned LED Animation
geniusDV
Organizing tips for Final Cut Pro
The Final Cut Pro Interface
Final Cut Pro Timeline Editing
How to capture and input video
3 point editing
Trimming tools for Final Cut Pro
Adjusting Audio Levels
Final Cut Transitions
Using Multiple Video Tracks
Creating Titles
How to make a Filmstrip effect
Using Alpha Mattes
Outputting from Final Cut Pro
The Los Angeles Final Cut Pro User Group
Uploading Movies for YouTube with maximum quality
Exporting Project Files for DVD
Scrolling Text in Live Type
Using Compressor to export to IPO
Final Cut Pro Multi-Cam
Different way to work with HDV in FCP
Thumbnail Video Index
Chroma Sampling: An Investigation
Breaking Free of HDV Limitations
Ken Stone’s Final Cut Pro
Setting Up a Project in Final Cut 6
Exporting Markers from FCP
DVCPRO HD Aspect Ratio Bug in Final Cut Pro 6
Zoom In Online
Using Transfer Modes for ‘Film’ Effect
Creating a Photo Montage in Motion
Trim Edit Window Part 1
Finding Unused Shots
Cutting a Slide Show to the Beat of Music
3-Way Filter Color Corrector
Applying Transitions to Multiple Clips
Final Cut Pro Keyboard Shortcuts
Digital Media NET
Working with XDCAM EX Footage in Final Cut Pro 6
How to get SDI Timecode into Final Cut Pro using AJA capture devices
Gain Adjust: Absolute vs Relative Audio In Final Cut Pro
Freeing Up Space In Those Finished Video Projects
Final Cut Pro 6 Essential Editing: Collapsing the Multiclip
Final Cut Pro 6 Essential Editing: Trim Edit Window
Final Cut Pro 6 Essential Editing: Ripple tool
Final Cut Pro 6 Essential Editing: Open Format
Final Cut Pro 6 Essential Editing: Replace Edit Technique
Final Cut Pro 6 Essential Editing: 3-point editing
Final Cut Pro 6 Essential Editing: The View Menu
Final Cut Pro 6 Essential Editing: Customizing your workflow
Final Cut Pro 6 Essential Editing: Navigating the workspace
Add Motion templates to create lower thirds in Final Cut Pro
Final Cut Pro Advanced Technique: Using Sorenson Video 3
Final Cut Pro 6 Techniques: Editing with Canon?s 24F
Final Cut Pro 6 ? Editing fast, accurate, and effectively when adding clips
Keying options for Motion 3
Singling out a color in Final Cut Pro 6
Trashing Preferences in Final Cut Pro
Working with XDCAM EX Footage in Final Cut Pro 6
Exporting a Media Composer edit to Soundtrack Pro
How to get SDI Timecode into Final Cut Pro using AJA capture devices
Gain Adjust: Absolute vs Relative Audio In Final Cut Pro

Further Reading

We have only scratched the surface of the information available for Final Cut Pro. Below you can explore a vast collection of sites to continue your ongoing education.
Editing Blogs
Pro Video Coalition
HDFilmTools
The Editblog
Tech Thoughts
Splice Here
ProLost
Studio Daily
Post Production Standards
Videomaker
little frog in high def
HD Cinema
Digital Producer
Editing organazized
Motionographer
Final Cut User
Discrete Cosine
Indie4K
Video CoPilot
Make Better Media
Podcasts
Cowcast
Digital Heaven Podcast
Learn Final Cut Pro Podcast
Ripplecast
Final Cut User Groups
United States
Arizona Final Cut Pro User Group
BOSFCPUG – Boston Final Cut Pro User Group
Carolina Final Cut Pro User Group
Chicago Final Cut Pro Users Group
Connecticut Final Cut Pro User Group
CUTS – Austin Final Cut Pro User Group
Denver Final Cut Pro User Group
Digital Video Detroit
Hawaii FCPUG
Lafcpug – Los Angeles Final Cut Pro User Group
Indianapolis Final Cut Pro User Group
Mac Filmmakers
The Moving Pictures Collective of NYC
NAProViG – Nashville Apple Pro Video Group
New Jersey Final Cut Pro User Group
Oklahoma City Final Cut Pro User Group
Philadelphia Final Cut Pro User Group
San Diego Final Cut Pro User Group
SBFinalCut – The Santa Barbara Final Cut User Group
Seattle Final Cut Pro User Group
SF Cutters
SoFlaFCPUG – South Florida Final Cut Pro User Group
South Louisiana Final Cut Pro Users Group
Tulsa Final Cut Pro Users Group
International
Dublin Final Cut User Group
Calgary Final Cut Pro Users Group
FCPUG Italia
Final Cut MTL : The Montreal Final Cut Users Group
GAPRUG – Gauteng Apple Pro User Group
Hong Kong Final Cut Pro User Group
Midlands Final Cut User Group
MexiPUG — Mexico Final Cut Pro User Group
Final Cut Pro User Group Sweden
Sydney Final Cut Pro
TOFCPUG -Toronto Final Cut Pro User Group
Tokyo Final Cut Pro User Group U.S.A
UKFCPUG – United Kingdom Final Cut Pro User Group
VCFCPUG — Vancouver Final Cut Pro User Group
WEFCPUG – West of England Final Cut Pro User Group
Web Forums
Apple Discussion Forums
2-Pop Final Cut Studio Forums
Creative Cow
Digital Media Net Final Cut Studio Forums
DVcreators.net
FinalCutPro-L
Final Cut Studio Planet
FXPlugfx
Ken Stone’s Final Cut Pro
macProVideo.com User Forums
Post Forums for Final Cut Studio
Recipe4DVD DVD Studio Pro Forum
DVD & CD Training
Call Box
Class On Demand
DVcreators.net
Larry Jordan
lynda.com
macProVideo.com
Magnet Media
VTC
Total Training
Ripple Training
Streaming Media
VASST Absolute Training





diy filming ideas from here


XL-1 Table Dolly
Ironing Board Dolly
Dolly and Track System
Build Plan Dolly
Skate Wheel Dollies
Radio Controlled Camera Pod
Build a Tracked Camera Dolly for Cheap
Simple Dolly
Snodart’s Dolly
PVC dolly
Eazy Dolly
D8 Ladder Dolly
Filming Dolly With 10′ Track
Sodart’s Dolly
Jsal27’s Dolly system
Stabilizers/Steadicams

$14 Steadycam
Light-Duty “Steady Cam” Stabilization
Improved Steadicam for under 40 dollars! Also boom mic attachment!
Detailed Stabilizer with photos.
Snodart’s excellent Stabilizer
Very Simple Stabilizer
Another Simple Design
DIY “Fig Rig”
“Plywood” Skater
Bicycle Steady Cam Mount
Steadicam DIY
PVC FIG RIG
Make your own Tripod
Heavy duty tripod
Hand held stabilizer
Make-Shift Steady Cam
The Plank Cam
$15 Camera Mount
DIY Smooth Panning
Pocket Tripod
Joren Clark Camera Steadying Device
DIY SnorriCam
2 Different Stabilizer designs
Car Mounts

Poor Man’s process method for shooting an in-car scene
Back-seat-view car mount
Exterior car mount
Low-budget (not DIY) car mount
Car Rigs
Cinesaddle Car Mount
JIB Arms/Cranes

Jib Arm
Snodart’s Jib
Heavy Duty Jib
Jib Arm rig
Speed-Rail Jib Arm
Camera Jib Arm Design
Crane for the Panasonic GS400
Cody Deegan’s Jib Plans
Dave’s Crane
MiniCrane You Already Own
Using Your Tripod for Crane-Like Shots
The Poor Man’s $60 Jib
$40 Heavy Duty Jib Tripod
Fluid feel Jib Crane Head
DIY Cable Cam
DPCFilms CableCam
Misc. Camera DIY

DVX-100 Zoom Control and Record Start-Stop
HV20 Focusing Tool
Depth of field Machine
Pixelcam Modification for Baseband Video Output
CVS One-time Camcorder Hack
Panoramic lens thingy
DIY Rain Coat for your DV
Diy Hvx Raincover
Underwater Housing for miniDV
A backpack cam
A Snorri Cam
Focus/Iris controller
DIY Vibrating 35mm Adapter
Lighting

DIY Light Kit
$25 Lightkit
Joren Clark Lighting Kit
Video lighting on the cheap
Beginner’s DIY Lighting Kit
Cheap Lighting & Barn Doors
DIY Movie Lightning Lamp
Light Source: Build Your Own Lighting Kit
Lighting for DV
Barndoor Template
DIY Light Diffusion in Video Production
Low Budget Lighting Article
$30 DIY C-Stand
Scrim or Butterfly Light Diffuser
Even Cheaper and Cooler DIY Lighting
Audio

Easy Boom Pole for Under $30.00
Home Recording Studio
Microphone Pop Filter
Microphone Windscreen
Sound Studio Acoustic Treatments
Microphone Desk Stand
Zero Budget Dubbing Studio
Voice Over “Porta-Booth”
$3 Shotgun Microphone Mount
$20 Condenser Microphone
Stage Effects/Green Screen

Green-Screen & Stop-Motion Special Effects
DIY Clapboard
Portable Greenscreen with PVC and Cloth
Large greenscreen (non-portable) for under $30.
DIY Blue (or Green) Screen
Greenscreens and Backdrop Stands
DIY special effects from “The Last Broadcast”
DIY Projector Screen
DIY Rear Projection Screen
Ghetto Matrix Bullet Time
Snow Machine
How to Make a Rain Machine
Thick and realistic movie fog
DIY Teleprompter

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